Refracted and Disappearing, 2019
Refracted and Disappearing, 2019

Plastic and wire collected, drawings and documentation

48” x 96”

Refracted and Disappearing (detail), 2019
Refracted and Disappearing (detail), 2019
Refracted and Dissapearing (ed 3).jpg
Refracted and Disappearing (detail), 2019
Refracted and Disappearing (detail), 2019
Ínsula: island, isolated house, place of little importance, 2018
Ínsula: island, isolated house, place of little importance, 2018

Charcoal, ink, and collage of digital print photographs taken after hurricane María in Puerto Rico. 96” diameter

Ínsula: island, isolated house, place of little importance (detail), 2018
Ínsula: island, isolated house, place of little importance (detail), 2018
Ínsula: island, isolated house, place of little importance (detail), 2018
Ínsula: island, isolated house, place of little importance (detail), 2018
Ínsula: island, isolated house, place of little importance (detail), 2018
Ínsula: island, isolated house, place of little importance (detail), 2018
Ínsula: island, isolated house, place of little importance (detail), 2018
Ínsula: island, isolated house, place of little importance (detail), 2018
Not a Landscape, 2017
Not a Landscape, 2017

Site specific installation. Charcoal and laser print collage on paper. This piece is made with drawings and photographs of polluted landscapes found in the rural area of Bayamon, Puerto Rico.

Leidy and Riggs Galleries. Baltimore, Maryland.

Not a Landscape, 2017 (detail)
Not a Landscape, 2017 (detail)
Not a Landscape, 2017 (detail)
Not a Landscape, 2017 (detail)
Not a Landscape, 2017 (detail)
Not a Landscape, 2017 (detail)
Not a Landscape, 2017 (detail)
Not a Landscape, 2017 (detail)
Reserva, no más, 2017
Reserva, no más, 2017

Drawing with wire, polyethylene and cord installed on a wooden wall with acrylic paint.  77” x 32” x 14"

Reserva, no más, 2017 (detail)
Reserva, no más, 2017 (detail)

The Accidental Landscapes are a series of landscapes constructed based on impressions of real landscapes that have been affected by the hand of the man, the industrialization and pollution of green zones or coastal areas in Puerto Rico. Reserva, no más (Reserve, No More) (2017) reflects one of the affected and bleached reefs of the east coast of the island. This is a reaction of an expedition that I had on the Cayo Luis Peña Reserve in Culebra Island, Puerto Rico.

Reserva, no más, 2017 (detail)
Reserva, no más, 2017 (detail)
Reserva, no más, 2017 (detail)
Reserva, no más, 2017 (detail)
Refracted and Disappearing, 2019
Refracted and Disappearing (detail), 2019
Refracted and Dissapearing (ed 3).jpg
Refracted and Disappearing (detail), 2019
Ínsula: island, isolated house, place of little importance, 2018
Ínsula: island, isolated house, place of little importance (detail), 2018
Ínsula: island, isolated house, place of little importance (detail), 2018
Ínsula: island, isolated house, place of little importance (detail), 2018
Ínsula: island, isolated house, place of little importance (detail), 2018
Not a Landscape, 2017
Not a Landscape, 2017 (detail)
Not a Landscape, 2017 (detail)
Not a Landscape, 2017 (detail)
Not a Landscape, 2017 (detail)
Reserva, no más, 2017
Reserva, no más, 2017 (detail)
Reserva, no más, 2017 (detail)
Reserva, no más, 2017 (detail)
Refracted and Disappearing, 2019

Plastic and wire collected, drawings and documentation

48” x 96”

Refracted and Disappearing (detail), 2019
Refracted and Disappearing (detail), 2019
Ínsula: island, isolated house, place of little importance, 2018

Charcoal, ink, and collage of digital print photographs taken after hurricane María in Puerto Rico. 96” diameter

Ínsula: island, isolated house, place of little importance (detail), 2018
Ínsula: island, isolated house, place of little importance (detail), 2018
Ínsula: island, isolated house, place of little importance (detail), 2018
Ínsula: island, isolated house, place of little importance (detail), 2018
Not a Landscape, 2017

Site specific installation. Charcoal and laser print collage on paper. This piece is made with drawings and photographs of polluted landscapes found in the rural area of Bayamon, Puerto Rico.

Leidy and Riggs Galleries. Baltimore, Maryland.

Not a Landscape, 2017 (detail)
Not a Landscape, 2017 (detail)
Not a Landscape, 2017 (detail)
Not a Landscape, 2017 (detail)
Reserva, no más, 2017

Drawing with wire, polyethylene and cord installed on a wooden wall with acrylic paint.  77” x 32” x 14"

Reserva, no más, 2017 (detail)

The Accidental Landscapes are a series of landscapes constructed based on impressions of real landscapes that have been affected by the hand of the man, the industrialization and pollution of green zones or coastal areas in Puerto Rico. Reserva, no más (Reserve, No More) (2017) reflects one of the affected and bleached reefs of the east coast of the island. This is a reaction of an expedition that I had on the Cayo Luis Peña Reserve in Culebra Island, Puerto Rico.

Reserva, no más, 2017 (detail)
Reserva, no más, 2017 (detail)
show thumbnails